1️⃣ SOCIAL ORGANISATION AND STRUCTURE
General Features
-
Medieval Indian society was hierarchical, agrarian, and religious in outlook.
-
Caste (varna-jati) remained the basic unit of social identity, but mobility increased through trade, service, and conversion.
-
Urbanisation under the Sultanate and Mughals created new classes — nobles, soldiers, clerks, artisans, and merchants.
-
Persian–Islamic ideas of equality before God interacted with the Hindu social order, producing syncretic cultural spaces.
✳️ Rural Structure
-
Village = basic socio-economic unit; largely self-sufficient.
-
Officials:
-
Patel / Muqaddam – headman.
-
Patwari / Qanungo – record keeper.
-
Chaudhuri / Amil – revenue collector.
-
-
Peasantry (raiyat) formed the backbone; classes ranged from owner-cultivators to share-croppers and labourers.
-
Non-cultivating groups – smiths, weavers, potters, barbers, washermen – essential to village life.
✳️ Urban Society
-
Towns = centres of administration, trade, and crafts.
-
Multicultural population – Persian officials, Afghan soldiers, Hindu traders, Jain bankers, artisans of all communities.
-
Guild-like organisations (panchayats, mahajans) regulated crafts and trade.
✳️ Social Classes
| Category | Characteristics |
|---|---|
| Ruling Class | Sultans, nobles, mansabdars, zamindars; enjoyed political and economic power. |
| Religious Class |
Ulemas, Brahmins, Sufis, Pandits — interpreters of faith and law. |
| Mercantile Class |
Bohras, Banias, Multanis, Marwaris, Chettis; financed temples, mosques, and state loans. |
| Professional Class |
Physicians, teachers, scribes, poets, musicians; mediated between elite and common folk. |
| Artisans & Peasants |
Largest section; supported entire economic structure. |
2️⃣ THE SUFIS – ORDERS, BELIEFS AND PRACTICES
✳️ Nature of Sufism
-
Mystical dimension of Islam focusing on inner experience, love of God, and moral purification.
-
Belief in Wahdat-ul-Wujud (unity of existence).
-
Khanqah (monastery) served as social-spiritual centre – provided food, shelter, and counsel.
-
Adopted Indian idioms and music (sama/qawwali) to reach common people.
✳️ Major Orders (Silsilas)
| Order | Founder / Early Saint | Core Ideas | Main Centre |
|---|---|---|---|
| Chishti | Khwaja Muinuddin Chishti (Ajmer) |
Love, tolerance, poverty (faqr), service to humanity. |
Ajmer, Delhi, Fatehpur Sikri |
| Suhrawardi | Shaikh Bahauddin Zakariya |
Active life, acceptance of royal patronage. |
Multan |
| Qadiri |
Shaikh Abdul Qadir Jilani (Baghdad) |
Strict adherence to Sharia, moral discipline. | Delhi, Punjab |
| Naqshbandi | Khwaja Baqi Billah, Ahmad Sirhindi |
Orthodoxy; silent meditation; opposed syncretism. |
Lahore, Delhi |
✳️ Leading Saints & Teachings
-
Muinuddin Chishti: compassion, service; shrine = Ajmer Sharif.
-
Nizamuddin Auliya: “Love all, hate none”; attracted Hindus & Muslims alike.
-
Shaikh Salim Chishti: adviser to Akbar.
-
Nasiruddin Chiragh Delhi: last great Chishti of Delhi.
-
Ahmad Sirhindi: reformer; upheld Islamic purity against Akbar’s liberalism.
✳️ Social Impact
-
Broke barriers of caste & creed.
-
Helped growth of Urdu, Hindavi literature.
-
Promoted charity (langar) and syncretic ethics influencing Bhakti poets.
3️⃣ THE BHAKTI MOVEMENT
✳️ Essence
-
Stressed personal devotion (bhakti) over ritual or priestly mediation.
-
Preached oneness of God, equality of all, love and surrender.
-
Encouraged worship in vernacular languages, creating regional literatures.
✳️ Phases
-
Early Bhakti (South India) – 6ᵗʰ–9ᵗʰ centuries: Alvars (Vaishnava) & Nayanars (Shaiva).
-
Later Bhakti (North India) – 14ᵗʰ–17ᵗʰ centuries: Ramananda, Kabir, Nanak, Mirabai, Tulsidas, Surdas.
✳️ Doctrinal Varieties
| Sect | Deity | Central Idea |
|---|---|---|
| Shaivism | Shiva | Devotion through asceticism & ritual purity. |
| Vaishnavism |
Vishnu / Krishna / Rama |
Love (prem-bhakti), surrender (prapatti). |
| Shaktism | Goddess (Devi) | Worship of divine feminine power (shakti). |
✳️ Important Saints – North India
| Saint | Teachings / Works |
|---|---|
| Ramananda | Opened Bhakti to all castes; preached in Hindi. |
| Kabir |
“God is one”; condemned both Hindu & Muslim orthodoxy. |
| Guru Nanak | Unity of mankind; honest work & sharing. |
| Surdas |
Krishna devotion; Sursagar. |
| Tulsidas | Ramcharitmanas; Rama as ideal man. |
| Mirabai |
Spiritual love of Krishna; defied gender norms. |
| Dadu Dayal | Religious harmony; simplicity in life. |
✳️ South India Saints
| Group | Leading Figures | Contribution |
|---|---|---|
| Alvars | Nammalvar, Andal, Periyalvar | Devotional Tamil hymns – Divya Prabandham. |
| Nayanars | Appar, Sambandar, Sundarar |
Popularized Tamil Shaiva bhakti. |
| Virashaivas (Lingayats) | Basava, Akka Mahadevi |
Rejected caste, promoted equality & monotheism. |
✳️ Impact
-
Weakened caste rigidity and ritualism.
-
Stimulated vernacular literatures (Hindi, Marathi, Kannada, Tamil).
-
Created moral foundation for religious tolerance in Indian culture.
4️⃣ THE SIKH MOVEMENT
✳️ Guru Nanak Dev (1469 – 1539)
-
Taught Ik Onkar (one God), truth, equality, honest living, sharing wealth.
-
Opposed caste, superstition, and empty ritual.
-
Organised disciples (Sangats); established Kartarpur.
✳️ Successive Gurus
| Guru | Contribution |
|---|---|
| Guru Angad Dev | Standardised Gurmukhi script. |
| Guru Amar Das | Instituted Langar (community kitchen). |
| Guru Ram Das | Founded Amritsar. |
| Guru Arjan Dev | Compiled Adi Granth (1604); martyred by Jahangir. |
| Guru Hargobind |
Introduced Miri-Piri (temporal + spiritual authority). |
| Guru Tegh Bahadur | Martyred for protecting religious freedom. |
| Guru Gobind Singh |
Created Khalsa (1699); militarised community; ended personal guruship. |
✳️ The Khalsa
-
Initiated by Guru Gobind Singh at Anandpur Sahib.
-
Five Ks – Kesh, Kangha, Kara, Kirpan, Kachha.
-
Values – courage, discipline, equality, self-sacrifice.
✳️ Impact
-
Created a distinct community (Panth).
-
Blended spiritual devotion and political courage.
-
Laid foundations of Sikh socio-political identity in Punjab.
5️⃣ SOCIAL CLASSIFICATION AND RURAL LIFE
✳️ Classes
| Group | Description |
|---|---|
| Ruling Elites | Sultans, Mughals, Rajput kings; maintained armies, built monuments. |
| Ulema / Brahmins |
Custodians of religious knowledge; some acted as judges & teachers. |
| Mercantile Groups | Traders & bankers; financed state & pilgrimages. |
| Artisans & Craftsmen |
Organized in guilds; highly skilled (weavers, metal-workers, potters). |
| Peasantry |
Diverse – from rich raiyats to landless labourers; subject to taxation. |
✳️ Rural Hierarchy
-
Zamindar → Patel → Patwari → Cultivator → Labourer.
-
Village life revolved around customary law and panchayat.
-
Social mobility through military service or urban migration.
6️⃣ POSITION OF WOMEN
✳️ Status and Restrictions
-
Patriarchal society; women’s roles confined largely to domestic sphere.
-
Among elites, purdah (zanana) and polygamy common.
-
Practices such as sati & child marriage persisted.
✳️ Notable Women
-
Razia Sultan – only woman ruler of Delhi.
-
Nur Jahan – powerful empress; issued farmans.
-
Chand Bibi – defended Ahmadnagar against Mughals.
-
Mirabai, Akka Mahadevi, Andal – women saints advocating spiritual equality.
✳️ Devadasi System
-
In South India, women dedicated to temples as dancers & musicians.
-
Initially religiously esteemed; later became exploitative.
✳️ Education of Women
-
Limited to elites and saints’ circles.
-
Notable authors – Gulbadan Begum (Humayun-nama), Jahanara Begum (Sufi writings).
7️⃣ EDUCATION AND CENTRES OF LEARNING
✳️ Islamic System
| Institution | Subjects / Function |
|---|---|
| Maktab | Elementary – Qur’an, Persian, arithmetic. |
| Madrasa |
Higher – theology, law (fiqh), logic, astronomy, medicine. |
| Daftar Khannas | State record offices – training in administration. |
✳️ Hindu & Regional Centres
-
Pathshalas, Tols, Agraharas, Mathas taught Sanskrit, Nyaya, Vedanta, arts.
-
South India – Kanchipuram, Sringeri, Mysore.
-
North India – Varanasi, Jaunpur (“Shiraz of India”), Bidar.
✳️ Curriculum
-
Religion, ethics, philosophy, mathematics, astronomy, medicine, music, and Persian literature.
8️⃣ FINE ARTS – PAINTING AND MUSIC
✳️ Painting Schools
| School | Characteristics | Patron Rulers |
|---|---|---|
| Mughal | Realism, portraiture, Persian-Indian blend; themes – court life, nature. | Akbar, Jahangir, Shah Jahan |
| Rajasthani |
Bold colours, devotional themes (Radha-Krishna). |
Rajput courts – Mewar, Amber |
| Pahari |
Miniatures, romantic and spiritual tone; delicate lines. |
Kangra, Guler schools |
| Garhwali | Local hill scenery, folk themes. | Garhwal rulers |
✳️ Music
-
Two streams – Hindustani (North) and Carnatic (South).
-
Amir Khusrau – credited with qawwali, tabla, sitar innovation.
-
Akbar’s Navratnas – Tansen greatly advanced Hindustani raga system.
-
Court music combined Persian & Indian styles; growth of dhrupad and khayal forms.
9️⃣ ART AND ARCHITECTURE
✳️ Indo-Islamic Architecture
-
Features: arches, domes, minarets, calligraphy, geometric designs.
-
Blended Islamic techniques with Hindu craftsmanship.
-
Early examples – Qutub Minar, Quwwat-ul-Islam Mosque, Alai Darwaza.
✳️ Tughlaq Architecture
-
Massive, simple, sloping walls; use of grey sandstone – Tughlaqabad Fort, Firoz Shah Kotla.
✳️ Mughal Architecture
| Emperor | Masterpieces | Distinct Feature |
|---|---|---|
| Akbar |
Agra Fort, Fatehpur Sikri, Buland Darwaza |
Red sandstone; Perso-Rajput fusion |
| Jahangir | Itimad-ud-Daula Tomb |
Marble inlay; natural motifs |
| Shah Jahan |
Taj Mahal, Red Fort, Jama Masjid |
Perfection in white marble; symmetry |
| Aurangzeb | Badshahi Mosque (Lahore) | Simpler, austere style |
✳️ Regional Styles
| Region | Major Examples |
|---|---|
| Deccan | Char Minar & Mecca Masjid (Hyderabad), Gol Gumbaz (Bijapur). |
| Rajasthan |
Forts of Chittor, Amber, Jaisalmer; Havelis with frescoes. |
| South India |
Hampi temples (Vijayanagara), Meenakshi Temple (Madurai). |
✳️ Gardens & Shrines
-
Mughal Gardens – Persian Charbagh layout with water channels & pavilions (Shalimar Bagh, Nishat Bagh).
-
Sufi Dargahs – Ajmer, Delhi, Pandua as spiritual centres.
-
Hindu Temples – stone and bronze art of South & Odisha.
-
Maratha Architecture – Hill forts (Raigad, Pratapgad) and temple shrines.
